On 12th September 1999, the Cuban art world was left reeling reeling by the news that one of its brightest stars had fatally shot herself at the age of 32. No note was found, and she had been considered in good spirits by her family and friends. To this day, as her sister Katia has sadly remarked, the reason for Belkis Ayón’s suicide remains a secret that she took with her ‘to the grave.’ Her legacy is a collection of images that are at once terrifying, tragic and haunting, yet exuberant, invigorating and exhilarating. As a visual manifestation of Ayón’s perceptions of her native Cuba, her art is both powerful and valuable; furthermore it speaks not only of her feelings about life, but also her attitude towards death.
Born in Havana on 23rd January 1967, Belkis Ayón Manso was one of two daughters from a relatively affluent Afro-Cuban family. At the age of 6, she began to show an interest in painting, leading her parents to enter her into a school competition, which she won. In 1979, she enrolled at the School of Plastic Arts, and two years later, she entered the Escuela Nacional de Bellas Artes “San Alejandro” – Cuba’s most prestigious art school, graduating in 1986 before starting a degree in printmaking at the Instituto Superior de Arte (ISA). As she studied for her degree, her work was displayed in over thirty exhibitions across Cuba and Latin America. Continue reading