A Violent Life: The Prophecies of Pier Paolo Pasolini

In the early hours of 2nd November 1975, a mutilated body was discovered on the Lido di Ostia, a district of Rome by the Tyrrhenian Sea. Badly beaten, burnt and crushed, having been repeatedly run over by a car; it was a violent and ignoble end to the life of a man whose artistic and intellectual valour had made him an Italian cultural icon. Pier Paolo Pasolini was born in Bologna on 5th March 1922, his mother was a teacher and his father an Italian army lieutenant with Fascist sympathies, who was credited with identifying and capturing Anteo Zamboni, a 15 year-old anarchist who attempted to assassinate Mussolini during a March on Rome celebration parade in Bologna on 31st October 1926. The shot fired by Zamboni missed the Prime Minister, and the teenager was set upon and lynched by a Fascist squad. Today, the Mura Anteo Zamboni a street in Bologna, bears his name, and a plaque marks the spot where he was found.

Like many scholars and poets before him, such as René Daumal and Roger Gilbert-Lecomte, Pasolini idolised Arthur Rimbaud and began writing poetry as a way of coping with the family’s frequent relocations. Returning to the city of his birth to enrol at the Literature College of the University of Bologna in 1939, Pasolini developed a passion for the cinema as well as poetry after attending a film club. Failing to establish his own poetry magazine with his friend and fellow poet Roberto Roversi, Pasolini self-published a volume of his own works in 1941, entitled Versi a CasarsaWritten mostly in Friulian, a language spoken in the Friuli area of North-East Italy, where his family were then living in the commune of Casarsa, Pasolini developed a lifelong affinity with the unique identity and culture of the Friuli-Venezia Giulia region.

A trip to Nazi Germany in 1941 gave Pasolini further cause to question the political regime in Italy, and he concluded that his own outlook was best represented by Communism. In September 1943, Pasolini was drafted and taken as a prisoner of war by the Germans. However, he soon escaped and made his way back to Casarsa. To make ends meet, he began tutoring students whose educations had been disrupted by the war, and it was with one of these students that he engaged in his first love affair, having previously suppressed his homosexuality. Continue reading

Inside Out: The Secret Games Of Catya Sassoon

Catya Sassoon was born in New York on 3rd September 1968. As the daughter of the world-famous hairdresser, Vidal Sassoon and his actress wife Beverly Adams, she was thrust into the limelight from an early age, destined to follow in the footsteps of her celebrity parents. Their divorce in 1980 was a traumatic experience for Catya, and as a result, she began to rebel against the strong, yet understated hairstyles that were her father’s signature, instead cutting her own hair into a eye-catching multi-coloured mohawk. Abandoning her studies, she instead spent most of her time partying with her older friends, on one occasion causing mayhem at her father’s Hollywood mansion by filling the swimming pool with his own-brand shampoo. But as Catya would always claim, ‘I never listen to what people say. I mean, I don`t care what they say. I’m not living for my dad, I’m not living for my mother. I’m living for me. Me!`

At 14, she moved to Manhatten from California, leaving the prestigious Beverly Hills High School to become a model. With her willowy figure, luxuriant auburn hair and piercing gray eyes, Catya was immediately signed by one of the city’s top agencies, and was soon gracing the covers of magazines like Seventeen and Cosmopolitan. Appearing in Rolling Stone in 1985, the caption beside her photograph declared, ‘Catya Sassoon defines the word nubile.’

Yet as she recalled, in many respects, it was a far from glamorous existence and at times ‘was sheer hell living there with 12 girls fighting for one of the two available showers every morning at 6.’ After hearing his daughter’s complaints about the daily clamour for the bathroom, Vidal Sassoon bought her a penthouse apartment. Continue reading

Prisoner Of Love: Carole Lombard And Russ Columbo

Ruggiero Eugenio di Rodolpho Colombo was born into a large Italian immigrant family in Camden, New Jersey on 14th January 1908. A musical prodigy, encouraged by his father, a theatre musician, he learned to play the violin at an early age, followed by the guitar, the clarinet and the accordion all by the age of 13, he was also a classically trained pianist. After the Columbo family moved to California’s Napa Valley, Ruggiero began to perform professionally with a number of bands as a violinist and singer. In Hollywood, he found work on film sets, providing what was known as ‘mood music,’ which was intended to aid silent movie stars get into character. It was on one of these sets, that he met Pola Negri, a Polish actress who had previously been romantically involved with Rudolph Valentino, whom Ruggiero strongly resembled. Using her influence, Negri helped him to get minor roles in several films including The Wolf Song (1929) with Gary Cooper and Lupe Velez, and The Texan (1930) starring Cooper and Fay Wray.

At the same time, Ruggiero, who by then had adopted the name ‘Russ’ Columbo, had been hired as a violinist and vocalist by the bandleader Gus Arnheim and his Cocoanut Grove Orchestra, providing the lead vocals for many of Arnheim’s hits, such as Sweet and Lovely and I Can’t Do Without You. In 1931, Columbo was offered a radio slot in New York with NBC, with fans calling him the ‘Radio Romeo,’ a recording contract as a solo artist with RCA Victor Records soon followed. Columbo’s manager Con Conrad never doubted that his protégé was destined to become a star, thanks to his remarkable talent and the fact that, as one contemporary critic remarked, ‘while he may have been born of Italian parentage, when he stepped into the spotlight on stage with his glistening black hair, chiselled facial features and athletic physique he looked to all the world like the statue of a Greek god come to life. And with his flashing black eyes and gleaming white teeth, he had a smile that could melt a sphinx.’

Above: Gus Arnheim’s Cocoanut Grove Orchestra with vocals by Russ Columbo – Sweet and Lovely (1931)

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Young Rebel: The Exploits Of Soledad Miranda

Soledad Rendón Bueno was born in Seville, the capital of Andalusia, a region on the southern coast of Spain, on 9th July 1943. The eldest of six children, her Portuguese father and Spanish mother of Triana gypsy ancestry, struggled to support their family, but her maternal aunt, in whose footsteps she longed to follow, was the well-known singer and flamenco dancer Paquita Rico. Encouraged by her parents, Soledad joined a flamenco troupe in 1951 and performed at the Seville Fair and at the city’s famous San Fernando Theatre, before touring the country.

Though she loved to dance, Soledad’s real ambition was to become an actress, and she moved to Madrid at the age of 16, where she adopted the stage name Soledad Miranda in homage to her idol Carmen Miranda. At 17, she was offered a role as a dancer in the musical comedy La Bella Mimí. Set in Madrid upon the outbreak of the First World War, thanks to the film’s elaborate period costumes and high-profile it was a success, despite Soledad later dismissing her own performance as, ‘very bad.’

Above: Soledad Miranda in La Bella Mimí (1960)

Minor roles ensued in the 1961 fantasy epic Ursus, directed by the Italian Carlo Campogalliani, and the nineteenth-century drama Canción de Cuna (1961), for which Soledad received second billing and was also required to put her considerable vocal talents to use. She would do so again when she released two EPs in 1964 and 1965, singing popular Spanish hits such as Amor PerdónameLo Que Hace A Las Chicas LlorarEl Color Del Amor and La Verdad.

Above: Soledad Miranda – La Verdad (1965)

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