So Far And Beyond: The Style Of Til Brugman

Mathilda Maria Petronella Brugman, known as ‘Til,’ was born on 16th September 1888 in Amsterdam, the eldest of nine children. The Brugman family were strict Roman Catholics and their first-born daughter’s assertiveness and sexuality would become a source of domestic conflict. At the age of 11, Brugman was sent to a Catholic girl’s boarding school, having already shown an aptitude for languages, encouraged by her mother. In 1911, Brugman found her own apartment in Amsterdam, taking a job as translator.

Always acknowledging that she was attracted to her own sex, Brugman fell in love with the opera singer Sienna Masthoff in 1917, and the couple moved to The Hague, where Brugman worked as a foreign languages tutor. At the same time, Brugman started to write poetry, inspired by her friendship with the avant-garde painter Piet Mondrian.

By 1917, Modrian had become affiliated with the recently formed collective of artists and architects, known as De Stijl. Founded by the designer and painter Theo van Doesburg, the group considered that art should be stripped down to the bare essentials, favouring simple bold lines and mainly black and white colour schemes. Others associated with the movement included the Hungarian painter, Vilmos Huszár and architect and furniture designer, Gerrit Thomas Rietveld. Additionally, a journal of the same name was produced in order to publicise De Stijl’s abstract notions and concepts, with the first edition proclaiming, ‘There is an old and a new awareness of art. The former focuses on the individual. The new focus on the universal.’ Continue reading