The toast of Edwardian London and Paris, as 1913 drew to a close, Harry Fragson looked forward to his continuing reign as the leading man of European music hall, his thrilling stage performances, wax cylinder song recordings and even a starring role in the 1912 film, Entente Cordiale having won him a legion of admirers on both sides of the Channel, including King Edward VII. But like the peace Europe had enjoyed for nearly half a century, Fragson’s life was foreshadowed by impending catastrophe.
Léon Philippe Pott was born in Soho, London, on 2nd July 1869, to a Belgian yeast merchant, Victor Pott, and his French wife, Leontine. Dashing his father’s hopes that he would follow him into the yeast business, from an early age Léon displayed an extraordinary ability for writing and performing songs, learning to play the piano in London before studying music in Antwerp. Coupled with brilliant comic timing and, as one friend described, ‘a mobile face’ and ‘a spiritual eye,’ the era’s immensely popular music halls beckoned as the most obvious outlet for Léon’s outstanding talent.
Yet Léon struggled to find fame and consequently changed his name to the more English sounding, Harry ‘Fragson,’ a play on the words ‘frog’s son,’ and a humorous nod to his continental roots. After performing at Le Chat Noir in Paris, Fragson’s career gained the boost it deserved after he met the revered café chantant entertainer, Paulus, who took the aspiring star under his wing. Discovering a particular gift for mimicry, Fragson learnt to imitate Paulus and other respected chanteurs, which brought him to the attention of French audiences. Adapting his act accordingly, whilst in England, Fragson portrayed himself as the archetypal music hall comedian and became associated with pantomime, through his appearances in a 1905 performance of Cinderella in Drury Lane, Sinbad the following year, and Babes in the Wood in 1907. In France, however, he was known as a singer of sophisticated and romantic songs, with titles such as Amours Fragiles, Tendresses d’ Amant and Dernière Chanson. Written by Fragson in 1911, the Spanish artist, Pablo Picasso was so captivated by Dernière Chanson’s refrain, the he called one of his own works, Ma Jolie, in homage to it.
Above: A recording of Harry Fragson singing Dernière Chanson (1911)