Catya Sassoon was born in New York on 3rd September 1968. As the daughter of the world-famous hairdresser, Vidal Sassoon and his actress wife Beverly Adams, she was thrust into the limelight from an early age, destined to follow in the footsteps of her celebrity parents. Their divorce in 1980 was a traumatic experience for Catya, and as a result, she began to rebel against the strong, yet understated hairstyles that were her father’s signature, instead cutting her own hair into a eye-catching multi-coloured mohawk. Abandoning her studies, she instead spent most of her time partying with her older friends, on one occasion causing mayhem at her father’s Hollywood mansion by filling the swimming pool with his own-brand shampoo. But as Catya would always claim, ‘I never listen to what people say. I mean, I don`t care what they say. I’m not living for my dad, I’m not living for my mother. I’m living for me. Me!`
At 14, she moved to Manhatten from California, leaving the prestigious Beverly Hills High School to become a model. With her willowy figure, luxuriant auburn hair and piercing gray eyes, Catya was immediately signed by one of the city’s top agencies, and was soon gracing the covers of magazines like Seventeen and Cosmopolitan. Appearing in Rolling Stone in 1985, the caption beside her photograph declared, ‘Catya Sassoon defines the word nubile.’
Yet as she recalled, in many respects, it was a far from glamorous existence and at times ‘was sheer hell living there with 12 girls fighting for one of the two available showers every morning at 6.’ After hearing his daughter’s complaints about the daily clamour for the bathroom, Vidal Sassoon bought her a penthouse apartment. Continue reading →
Born in Buffalo New York on 20th February 1929, Beverly Louise Neill was a descendent of Kate Berry, the celebrated American Revolutionary War heroine, who warned the Continental Army that the British were approaching shortly before the Battle of Cowpens in 1871. Relocating to California with her parents, she started a course at Pomona College, but decided to quit a year later to pursue a career as an actress after becoming involved with a local community theatre.
At the age of 20, having changed her name to Amanda Blake and touted as ‘the young Greer Garson,’ she won her first movie role in Stars in My Crown (1950) a drama about a Civil War Veteran’s who becomes the gospel minister of Walesburg, a lawless town where he struggles to gain acceptance. In 1950, she also featured in Duchess of Idaho with Esther Williams and Lena Horne, as well as the film noir Counterspy Meets Scotland Yard. A string of minor film and television appearances ensued in productions such as Scarlet Angel (1952), Sabre Jet (1953), A Star is Born (1954), The Glass Slipper(1955) and High Society (1955). It seemed that in spite of her feline beauty and seductive husky voice, Blake was never to be a major leading lady or a huge Hollywood star.
Above: Gunsmoke – Miss Kitty Season 7 Episode 3 (1961)
In 1955, she accepted a part on a new television series called Gunsmoke. Originally a radio programme, set in Dodge City, Kansas during the 1870s, Blake was cast as Miss Kitty Russell, the feisty dancer and later, the proprietor, of the Long Branch Saloon. She would appear on small screens across America as Miss Kitty for nineteen seasons until she asked to be written out in 1974, remarking that, ‘nineteen years is a hell of long time for someone to be stuck behind a bar.’ The show ran for one more season after Blake’s departure, with the final episode airing on 31st March 1975. Continue reading →
It was around 11 p.m. on the evening of 14th August 1980 and Dr Stephen Cushner was growingly increasingly concerned. The private investigator hired by Paul Snider, the friend with whom he shared an apartment, had rung to say that Snider’s phone was not being answered. Knowing that Snider was home, Cushner broke down the door; the scene that greeted him was one of unimaginable horror. Lying naked and bloodied were the bodies of Snider and his estranged wife, the stunning model and Playboy playmate, Dorothy Stratten.
Only 20 years-old at the time of her death, she was born Dorothy Ruth Hoogstraten in Vancouver on 28th February 1960; her parents had emigrated to Canada from the Netherlands and had two other children, John who was a year younger than Dorothy, and Louise who arrived in 1968.
Whilst working at a local branch of the fast-food restaurant Dairy Queen, at the age of 17, Dorothy caught the eye of Snider, a club-promoter, pimp, drug-dealer all round shady character, who was nine years her senior. Noting her statuesque height and curvaceous figure, which provided a striking contrast to her angelic face, Snider saw the young woman as his path to fame and fortune, apparently telling a friend ‘That girl could make me a lot of money.’Continue reading →
Born in Tooting on 22nd April 2015 and adopted at ten days old, George Cole spent his childhood in Morden, his earliest memory being his mother’s ire when she discovered he had sold a pair of new shoes to a rag-and-bone man in exchange for a toy windmill. Whilst he excelled academically, Cole first love was acting, and as he later remembered, ‘I was always in plays at school and in school concerts – you could say I liked to show off.’
After leaving school at the age of 14, he worked first as a butcher’s delivery boy and dreamt of joining the Merchant Navy, a dream that was hastily abandoned when he landed a role in the musical comedy The White Horse Inn and then Cottage to Let, which was turned in to a film in 1941, starring Alastair Sim and John Mills. Sim and his wife offered Cole and his mother lodgings and Cole was to live with them until he married the actress Eileen Moore in 1954.
Between 1941 and 1947, Cole would appear with Sim in eight films, most notably The Belle’s of St. Trinian’s and Blue Murder at St. Trinian’sin which Cole played Flash Harry, a spiv who encouraged the girls to get up to all sorts of mischief, and Sim their indulgent headmistress, Miss Fritton. Oher significant roles included the part of ‘the Boy’ in Olivier’s Henry V (1944) and Curley, a member of the Lancaster Crew in the 1945 war film Journey Together, with Richard Attenborough and Jack Watling. The latter enabled Cole to draw upon his own experiences as an R.A.F. radio operator from 1944 to 1947. Continue reading →